mariano sardón |
<-- | OTHER WORKS | bio | short bio | contact | español |
I recently developed an installation at the Museum of Latin American Art of Buenos Aires (MALBA).
It was an unusual work that required months of preparation collecting data concerning the use of the computers by
the museum’s staff.
The result was an interactive installation that creates a virtual space that embodies the activity inside the museum through light and sound. |
Part of the texts typed by those working in the museum are projected on a series of petri plates containing sugar
placed on pedestals in a darkened exhibition room. Simultaneously the sound of the keyboard activity is processed in real
time and amplified in the installation space. |
The artwork is spread through the museum; it originates in the parts of it that remain off boundaries to the general public. |
The issues that were questioned by the museum’s organization when I first come forth with the project led me to ask questions of my own. |
The artwork is conceived as an organism. If the system is allowed enough time, it will become an organic system that might develop
some kind of organization in terms of words and some kind of sounds structured. |